What’s the supernatural weakness of this new threat?

1 – Television static. The black-and-white snow on detuned televisions shows echoes of the big bang, and it’s this cosmic afterbirth that sets the monster’s teeth on edge. You’re not entirely sure why (and you’re not sure you want to find out, really) but getting an old cathode-ray TV and setting it to a dead channel works like salt, or holy water, or church bells on these guys. You’ve heard tell that there’s a guy downtown with several specimens trapped in circles of hissing TVs, and he’s always on the lookout to buy old models if you pick any up.

2 – Your blood. Just you, though – not anyone else. You think it’s something to do with the way that you’ve got The Sight; anyway, they’re killing people all over the shop, and various factions are becoming interested in harvesting your blood to use as a weapon. You, of course, would rather that it stayed in your body where it belongs. Can you track down someone else with a similar effect? (Or: infect them?)

3 – Digitalis. You can get digitalis from foxgloves (also known as Dead Men’s Fingers); they use it in heart medication to slow down irregular heart-rate. When you jab these monsters with it, in a high enough dose, it slows their pulse down to a human rate, and they lose all their supernatural powers: no more incredible strength, no more accelerated healing, etc. At that point it’s just as easy as killing a regular human.

4 – Crowds. They don’t see humans as individuals; something about their minds means that they see their targets as a sort of hive, a singular mass of swarming entities. They can understand one person (and talk to them, kill them, eat them etc) but if confronted with a crowd, they can’t fathom the intent of it, or any of the people inside. Big enough crowds overwhelm their senses and give them splitting headaches; they avoid crossing train-lines or busy intersections like a vampire avoids crossing water, because the buzzing stench of crowds never leaves those places. You’ll be safe as long as you’re never alone.

5 – Darkness. Something chased them here. (Something worse?) Now, they can’t endure the dark, not even for a second; they adorn themselves with lights, bathe in neon glow, cluster under street lamps. They reckon that if they’re in darkness, whatever hunts them can find them. (And: it does. If they spend too long in the dark, they die.) So you’re completely safe from them, as long as you’re in utter darkness.

6 – Mathematics. There’s something raw and bestial about them, something feral that rejects a higher understanding of the universe; so long as you’re performing arithmetic of some kind, they can’t abide your presence. (They hunt scientists out of a kind of hate.) In the modern world, they’re screwed, because most everyone has a device in their pocket that’s carrying out millions of calculations a second, so they have to wait until your phone runs out of battery before they strike and smash you to pieces against anything hard in your immediate surroundings.

7 – Heat. They’re creatures of bitter winter, and the colder they are, the stronger they become. You’ve heard tell that they rule the upper reaches of Scandinavia, but obviously something’s driving them down into more temperate climes; and now they’re here, in the city. They can walk about as normal during the depths of winter; in summer, they’d be lucky to last for an hour or more outside of an industrial freezer unit before their organs shut down and they die. Now: you and your friends are holed up in a run-down flat, surrounded by a protective ring of three-bar heaters, wishing for the snowstorm to end.

8 – Painkillers. They have a special relationship with pain, so anything that blocks it is anathema to them. People tried making protective circles of ground-up analgesics, but that only went so far; now, if you hunt them, it’s considered a good idea to get loaded up on codeine before you set off, which causes its own problems. Some people say that anti-anxiety drugs work too as they can feed off your fear (which makes them stronger), and they swear by 200mg of Pregabalin to start the day or wear protective charms made of Valium pills strung through dental floss.

9 – Fire. Back in the day, everyone had fire; we lit our houses with candles and lamps, and we burned wood to warm them. Now, the closest most of us come to an open flame during the average day is lighting a cigarette; so these creatures, clad in shadows and emerging from lightless corners, are having a field day. A lighter or match isn’t enough to keep them at bay, and you’re going to get some funny looks (and probably arrested) if you carry a burning torch around with you.

10 – Disease. They only eat clean things, so anything or anyone with a disease is disgusting to them. A minor cough or cold will put them off or slow them down (but not, say, stop them if their backs are to the wall) – late-stage leukemia will send them running in fear. If you hunt them, you’ve got a few choices: stay sick, so they’ll give you a wide berth; carry vials of disease around with you, which is a crime, and you’d have to break them open to use them; or bring an ill person with you, probably in a wheelchair, probably waiting in the van outside, to use as a tac-nuke if everything goes to shit.


Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Image by Alpha on Flickr

Who are they, and why are they coming after you?

Header image by Transformer18 on FLickr

1 – They claim to be angels; they’re all platinum blonde, regardless of skin tone, and they move in a way that suggests they’re actually six-winged flaming chariot-people stuffed into unconvincing human suits. They’re trying to pre-rapture you. They say you’ve been really good, and He wants to speak to you right away.

2 – They say that they’re your parents, which is weird because both of your parents died when you were a kid. They need… organs. A kidney, to be precise. Your mum in particular seems really upset about the situation, but not enough to not strap you down to the kitchen table and whip out your innards.

3 – They wear grey suits and all have the same haircut and say they’re from the government – when they speak at all, which is rare. They want to take the chip out of your head (they put it there) so they can download the information you uploaded to it and “back you up” in case you die like the previous versions of you did. In a way, they’re your guardian angels; in another way, there’s thirteen X’s tattooed on your left wrist, but you can only see it out of the corner of your eye.

4 – They’re demons. Normal folk can’t tell, but you can see that they’re sporting angular metal horns and leaving smouldering footprints in front of themselves when they walk, which is disconcerting. Anyway, they’ve got an award for you – you’ve brought so much pain and sadness into the world that the devil wanted to personally thank you for making his job easier. You’re no saint, but you didn’t think you’d been this bad; what’s going on?

5 – They’re a fey hunting party, loaded up on dodgy whizz they found in the bathrooms near the fountain of youth, and they’ve stolen taxis, bikes, trucks and One Actual Horse to chase you down. They want you because you’re beautiful, and you’re inventive, and you look good when you run away. So: try and be boring, and ugly, in your escape.

6 – The Machines have determined that you are the most average, basic, generic human available, and they have decided to study your fascinatingly dull life in minute detail.

7 – Everyone is after you; you’re a prophesied actor in several conspiracies, but no-one’s quite sure what you’re going to do or when you’re going to do it. So: people are watching your every move, and going through your bins, and strangling each other in back alleys for looking at you the wrong way.

8 – They’re all terribly sick, or they’re working for terribly sick people. They say that you have sacred blood, and it can heal them (or they have a more scientifically-sound explanation) – and, weirdly enough, they’re right. Your blood heals the sick and brings the dead to life, but only when it’s outside of your body, which is a problem.

9 – They’re the agents of a witch. She’s seen what you can do (or sees potential in you), and sends her minions after you with messages and trials. A magpie drops a note in your soup saying that three of the people in this cafe are hellbeasts, and you have to kill at least one of them before it gets cold. A blind woman stumbles into you in the street and tells you to leave your window open tonight unless you want it broken. Underpass graffiti shifts and warps into a Bayeux Tapestry-style depiction of your life, including parts of it you haven’t lived yet.

10 – They’re freelance ghost hunters, and they say you’re a ghost, and they need to put you to rest. As far as you’re aware, you’re living a pretty normal life, so you’d rather not be “put to rest.” (Except: are you a ghost? How would you know? And what do they stand to earn by telling you, if you aren’t?)

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

What does this “vampire” feed on?

Header image by BenGrantham on Flickr

1 – LUCK. It absorbs good luck from people and spends it to stay alive, because the gods cursed vampires many years ago and this is the only way they can get around the hex. (Without regular luck-feeding, most vampires would be killed by a traffic accident or lightning strike in a matter of days.) Some own casinos; the less-fortunate ones just hang around and try to siphon off fortune from gamblers. (They can gather it through skin contact, however brief.)

2 – IDENTITIES. They build shrines to people out of secrets and discarded (or stolen) clothes. They listen for social security numbers, birthdays, mothers’ maiden names; they impersonate voices over the phone and copy signatures. For each part of your identity they steal, you become weaker, and they become stronger, until you become a hollowed-out vampire yourself.

3 – BLOOD. But – only blood that’s been freely given, else it turns to ashes and pitch in their mouths. Blood banks are great; others run goth nightclubs or fetish parties to try and latch onto people who’ll willingly give up some of the red stuff.

4 – DISEASE. They feed on diseases, ripping them out of people. They’re a positive influence, for the most part, but they look more horrific the more “powerful” they become, resembling withered, rash-covered corpses. Which is all fine until they’re killed by some do-gooding vampire hunter, and all the diseases they’ve absorbed are cast out into everyone nearby.

5 – NOISE. They absorb noise, sucking it out of nearby events, reducing them to silence; they can ruin concerts. They’re bastards, too, the lot of them – mainly it comes from a lack of social interaction, as no-one can talk to them – and so they make a lot of enemies. Some hunters keep one on their books as an aid to infiltration; for others, the last thing they’ll hear is absolutely nothing, as the vampire descends upon them and rips them silently apart.

6 – CORPSES. But – the whole corpse. It doesn’t stop feeling hungry until it’s eaten every part of the corpse; when it’s digested the last hair, gummed down the last spoonful of ground-up molars, sucked the marrow from the bones and swallowed the intestines. It can take a vampire several weeks to get through a full body, and if they are denied their prize, it was all for nothing.

7- EYES. They feed on eyes, fresh and hot and wet out of the sockets. They select eyes that have seen beautiful, remarkable or unique things; if they can’t find anyone with interesting experiences, they’ll make those experiences for them. They have lairs full of beautiful art that they don’t (and physically can’t) care the slightest about, and heavy chairs with leather straps for viewing parties.

8 – MEMORIES. Their lives are agony, and they cannot die. (Should they try and end it all, they awaken at the next sunset, in more pain than ever.) Their only hope of escape is to track down everyone from their life before they were turned and suck out every memory that relates to them using a long, barbed tongue or probing finger; once they disappear from the world completely, they are allowed to die.

9 – MAGIC. They drain the ability to perform magic out of their targets, storing it within themselves and using it to fuel their unnatural powers. They hide in mage’s sanctums, pressed tight in the gaps between the walls, and leech their powers while they sleep – or they run in gangs of three to five, corner guttermages and hedge-wizards, and wrench the auras off them in back alleys.

10 – COLOUR. They were kicked out of the fey realm for some unimaginable crime, and now they traipse through the mortal world looking to recapture their glory days. In doing so, they leech the colour and vibrancy out of everything that surrounds them, leaving people like sun-bleached salon photographs; their lairs are greyscale-monochrome, and they will gladly talk of their time amongst the fair folk in exchange for a bright red scarf, or the blue of your eyes.

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.