What minor pocket dimension have we stumbled into?

1 – First, you need to find a tree that’s stood for more than a century; then it has to get struck by lightning, and die. Then you have to crawl down inside the rotted-out trunk of it, into the ground, and eventually (pray it’s a short trip) you’ll emerge into the garden. There isn’t a name for it, really; no-one really knows it exists, and for some reason there’s a cult of one-eyed priests who are going around and uprooting every lightning-struck tree they can find. The dimension itself is a small rooftop garden, and storm clouds roll overhead, and the air is heavy with the threat of a storm that never comes. But at least it’s quiet.

2 –It’s where cats go. You know, at night? It’s a mix of rooftops, linen closets, the bins out the back of taverns, and blankets. All the ceilings are too low, the stars are blurry and indistinct, and it smells like cat piss.

3 – It used to be a well-maintained graveyard, but it fell into disrepair a long time ago; you don’t think that dimensions can be “hungry,” as it were, but it’s as though it doesn’t want you to leave. The longer you stay here, the more of your vitality drains away, and your colour, and you begin to feel like laying down in one of the (suspiciously) open graves and going to sleep.

4 – You know when you’re drunk – like, really drunk, can’t-find-your-shoes-drunk – and you wake up at home? This is the dimension you use to get there. It’s a universal shortcut, but you can only use it when you’re blackout drunk, so. If you took notice of your surroundings – which you can’t do, you’re too busy throwing up in an alley – you’d notice a cadre of wine-making monks who have set up their monastery here, and who are all several drinks in all the time.

5 – Look, we’re not here to judge you, but: you went to a peep show. We’re sure you’ve got your reasons. But when the partition rolled back, you saw into a different pocket dimension, instead of the dancing sex worker you paid for. Turns out the place is its own shard of reality – in the back, at least – and you can use it to spy on people (or… cats) in other ones. This could be tremendously valuable in the right hands, but at the moment those hands are busy with other things.

6 – It’s a library; you fell asleep face-down on a pile of books, and woke up here. All the pages and covers are blank and it’s utterly, terrifyingly, silent. Your heartbeat begins to deafen you, and you can hear the high-pitched buzz of your central nervous system.

7 – He paints landscape scenes, and he’s very good at it. So good, in fact, that people wishing for sanctuary – usually when they’re running away from something – stumble into these peaceful, tranquil skylines and city-scapes. At the edge of the space there’s a rough pane of glass, which looks out of the painting and into his studio, so you can talk to him if you want. He doesn’t seem inclined to let you out; it’s as though capturing people was his aim all along.

8 – There’s a Screen Omega at this cinema, and you can get into it, if you know how to ask. You don’t recognise any of the films playing here – they’re all one step away from familiar, featuring people who look a little like the stars of yesteryear, and they’re all in black and white. Some of them are in languages you can nearly recognise. Anyway; the rules of cinema, not the real world, apply here. Walk in with a gunshot wound and you can heal it with a bandage and a montage. (Alternatively: walk in with a nasty cough and it’ll develop into full-blown tuberculosis by the end of the film, so be careful.)

9 – There’s a reason you don’t talk to people on the bus – they aren’t people. Every single bus is part of a mass hallucination, and there’s only one interdimensional space that we use to transport between locations; the bus is just a way to let your mind handle it. Why do you think they don’t let you off if it’s not at a stop? You’d be torn to shreds by transdimensional parasites.

10 – Someone built this place – it was a Sorcerer-King’s mind palace, they say, back when you had Sorcerer-Kings – and since then, every Tom, Dick and Harry with a stepping sideways spell has been through here and lifted everything of value. All the majestic tapestries have long since been ripped off the walls and sold; all the devious traps have been triggered, or rusted into inaction, or been deactivated and stripped for copper; even the walls themselves have been chipped away at, the shards of mind-stone sold for a few quid, leaving the place barren, empty, and draughty.


Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Image by Eelke on Flickr

How are you still alive?

1 – Duct tape and epoxy putty. You just stuck yourself together. Further examination of your body shows multiple patch-jobs concealed under your clothing – fishing-line stitches, sawdust and staples instead of organs, and so on. You are entirely unsure why you haven’t died yet, but it seems to be working.

2 – An angel with neon hair and bluescreen eyes came down from the skies above and brought you back to life with a binary whisper. Everybody saw it but no-one’s really… talking about it? Maybe they don’t want to admit that they think it’s real. On camera, it shows up as a blistering anomaly, or it just flat-out fries the hard-drive that the video records to, so it’s all eyewitness accounts and nothing else – unless you can get a polaroid of it.

3 – You’ve replaced most of your internal organs with car parts (specifically: parts from a 1977 Ford Thunderbird), which makes you almost invulnerable to harm. But not tearing.

4 – The bullet went right through you, and now sand is pouring out of the hole. Wait: not sand, gold-dust. Weird. Anyway, it’s running through your fingers, and passers-by are partially concerned and partially interested in stealing the stuff.

5 – You shudder, and add another ghost to the swarm that follow you around, then get up and walk away. You’re on twelve, now; two small ones from the same day when you went camping in the forest as a kid, one from heart disease, a couple of car accidents, and so on.

6 – You’re the God of Mirrors. The woman who shot you through the chest is face-down dead with a ragged exit wound in her back. You have a bet going with several noted deities that they can’t kill you, and are welcome to try, because you’re getting bored of being alive and interested to find out what’s next.

7 – Because you are the True King (or True Queen) and commoners cannot hurt you. You’ve only ever been hurt by those of noble blood, and the more noble blood they have in them, the easier it is for them to hurt you. You’re petrified that a royal family (from another country, not your country, because the royal family in your country are a bunch of charlatans) will find out and use it against you somehow.

8 – You’ve never once stepped on a crack in the pavement. (Ironically: your mum’s in a wheelchair.) Also, you avoid walking under ladders, turn around when you spot a black cat, never open umbrellas indoors, and so on. But honestly, it’s just the cracks that work.

9 – You flickered out of reality for a split-second, just when it would have hit you. It saved your life, but you went somewhere else for the duration (which felt like hours to you, even though no time passed at all as far as everyone else was concerned) and you come back reeking of spoiled milk and hot plastic. You can’t remember much about where you went; you’re not sure you want to.

10 – You’re soul-bound to your brother, and you have to die at the same time in the same way or it just doesn’t… take. Still hurts, though. Your brother’s been trying to kill you (and, by extension, himself) for the last three years. At the moment he’s in hospital following his last attempt.


Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Image by Salva Graziano on Flickr

What does this serial killer collect from their victims?

1 – FINGERNAILS. And toenails. They rip ‘em out with pliers, and fix them to their own scabby, pallid skin with staples. (The “scales” function as a kind of armour, weirdly.)

2 – THEIR LAST MEAL. Pumped straight out of the stomach.

3 – AURAS. They rip it off them in their last moments and add it to their own; a swirling, incoherent mess of jagged colours that makes electric lights malfunction when they get angry.

4 – SHOES. They reckon if they steal the shoes off people, they can’t “walk into heaven,” which is kind of a dick move; instead, they nail horseshoes to the soles of their feet to pin them in place. Most of them hang around as ghosts, but on the other hand, most of them don’t deserve to get into heaven given what they’ve done.

5 – THE LAST THING THEY SAW. They used to reckon that the last thing people saw was imprinted on their eyes when they died; they were wrong, but you can use magic to access the information. The serial killer does, and renders them as nightmarish paintings – most of them self-portraits.

6 – PETS. They don’t want them to die; they take them home, put them up, feed them, etc. They’ve built an impromptu (and illegal) kennel in their apartment, and they’re starting to run out of space and money.

7 – IDENTITIES. It’s gross, but: they hollow them out and wear the husks, and some back-alley sorcery lets them pose as the person. It’s a good likeness, too, right down to the mannerisms, until the body starts rotting; they keep a couple of bodies cured and dried in their bedroom, ready for emergencies. So, you know: look for suture marks on the backs of your friends’ heads.

8 – EYES. They install the eyes around their home, and they can focus and look through them, letting them act as a sort of security camera system. (They varnish them so they don’t dry out; it impairs the vision a little.)

9 – HANDS. To make a Hand of Glory, you need the left hand of a man hanged for murder. Those are really hard to come by these days, so the killer is capturing people, having them kill one another and then hanging the survivor, cutting off their hand, and selling it on the black market. (If YOU’VE ever used a Hand of Glory, odds are it’s coming from an illegal Hand Farm like this one.)

10 – MONEY. The killer (or is it killers?) receives instructions detailing the location, appearance, and movements of the target from a mysterious source; they track them down and kill them, and each one of them just so happens to be carrying a huge amount of cash, which is the killer’s payment. Who’s setting it up, and where is the money coming from? And are you going to open that briefcase that appeared in your living room last night?


Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)
There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Cover image by Ben Smith on Flickr

What’s weird about the club downtown?

1 – It’s run by the fey, and alongside the coat-check, you can hand in your reflection for the evening as well. Without a reflection, your soul doesn’t get stained from sin, so you can do whatever you wish and not end up karmically tainted by it. (In more concrete terms, you don’t feel bad about it, either. And you don’t even feel bad that you don’t feel bad.) The club keeps your reflection if you can’t pay up, and sells them on to desperate vampires at extortionate rates if you leave it too long.

2 – The music is a ritual. It’s one of the longest the world has ever seen, and it’s been performed by ten artists over about fifteen years; they come on stage and perform certain notes to add to the oversong. When it’s complete, they say that the whole club will ascend, but that’s probably just a spiel to get people through the doors.

3 – It’s infinite; there’s a room for every kind of music that you could imagine. However, seeing as the number of people in the club is finite, the less popular the musical style is the fewer people you’ll see. A number of shadowy organisations hold meetings in the throat-singing room, convinced that they’ll never be interrupted.

4 – You can only get to it by elevator. There are six elevators that go there, spread across town, and each of them has a slightly different combination of button-pushes that allow access. A lot of the elevators come with a “test” of some kind – a creepy-looking woman or child entering the lift and asking you weird questions – but that’s just to put off the tourists.

5 – It’s on the inside of a sphere; you can look up and see the other dancefloor. Which would be difficult enough to handle if you were sober, and you definitely aren’t. Some people like to throw small change up into the centre to see if you can get it to float in the middle of the sphere; the bouncers kick you out if they catch you doing it, though.

6 – It’s Valhalla for ravers. If you die on a dancefloor – generally thanks to an overdose, dehydration, or looking at the wrong guy in the wrong way and getting your head kicked in – then you come here, and dance all night, and sleep all day in the back of the chillout room. It’s jam-packed with the most hardcore party people available from throughout time, and they’re all impossibly irritating to be around if you’re sober.

7 – They’ve been playing the same song for the last twelve years. It’s incredibly long, and they just turn it down and leave it running when the club closes. Regular attendees believe that the mysteries of the universe are contained within the song – eventually. It seems to be about two years behind whatever’s fashionable when you hear it, which is pretty good going considering it was written last century.

8 – The place is jam-packed full of birds; owls, crows, hawks, ravens, etc. The staff’s main job is cleaning up after them, but if you can deal with the droppings, it lends the place a fantastic ambience.

9 – It’s pitch black inside. Most of the things that come here can see in the dark, and indeed prefer to function without light, so they don’t need it. Torches (and therefore phones) are banned; you can use night-vision goggles to see what’s going on, but expect the other punters to laugh at you and try to steal them.

10 – It’s in a rooftop garden. The plants here are unnaturally lush and vibrant, no matter what time of year it is – you reckon that there must be a dryad in charge, or at the very least a druid – and, occasionally, you see a deer or a fox scampering away down one of the corridors. Some of the more elaborate cocktails come served in pitcher plants or sliced-open cacti; the regulars tend to stick to glasses, though.

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?
[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)
There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Image by electricnude on flickr

What’s the supernatural weakness of this new threat?

1 – Television static. The black-and-white snow on detuned televisions shows echoes of the big bang, and it’s this cosmic afterbirth that sets the monster’s teeth on edge. You’re not entirely sure why (and you’re not sure you want to find out, really) but getting an old cathode-ray TV and setting it to a dead channel works like salt, or holy water, or church bells on these guys. You’ve heard tell that there’s a guy downtown with several specimens trapped in circles of hissing TVs, and he’s always on the lookout to buy old models if you pick any up.

2 – Your blood. Just you, though – not anyone else. You think it’s something to do with the way that you’ve got The Sight; anyway, they’re killing people all over the shop, and various factions are becoming interested in harvesting your blood to use as a weapon. You, of course, would rather that it stayed in your body where it belongs. Can you track down someone else with a similar effect? (Or: infect them?)

3 – Digitalis. You can get digitalis from foxgloves (also known as Dead Men’s Fingers); they use it in heart medication to slow down irregular heart-rate. When you jab these monsters with it, in a high enough dose, it slows their pulse down to a human rate, and they lose all their supernatural powers: no more incredible strength, no more accelerated healing, etc. At that point it’s just as easy as killing a regular human.

4 – Crowds. They don’t see humans as individuals; something about their minds means that they see their targets as a sort of hive, a singular mass of swarming entities. They can understand one person (and talk to them, kill them, eat them etc) but if confronted with a crowd, they can’t fathom the intent of it, or any of the people inside. Big enough crowds overwhelm their senses and give them splitting headaches; they avoid crossing train-lines or busy intersections like a vampire avoids crossing water, because the buzzing stench of crowds never leaves those places. You’ll be safe as long as you’re never alone.

5 – Darkness. Something chased them here. (Something worse?) Now, they can’t endure the dark, not even for a second; they adorn themselves with lights, bathe in neon glow, cluster under street lamps. They reckon that if they’re in darkness, whatever hunts them can find them. (And: it does. If they spend too long in the dark, they die.) So you’re completely safe from them, as long as you’re in utter darkness.

6 – Mathematics. There’s something raw and bestial about them, something feral that rejects a higher understanding of the universe; so long as you’re performing arithmetic of some kind, they can’t abide your presence. (They hunt scientists out of a kind of hate.) In the modern world, they’re screwed, because most everyone has a device in their pocket that’s carrying out millions of calculations a second, so they have to wait until your phone runs out of battery before they strike and smash you to pieces against anything hard in your immediate surroundings.

7 – Heat. They’re creatures of bitter winter, and the colder they are, the stronger they become. You’ve heard tell that they rule the upper reaches of Scandinavia, but obviously something’s driving them down into more temperate climes; and now they’re here, in the city. They can walk about as normal during the depths of winter; in summer, they’d be lucky to last for an hour or more outside of an industrial freezer unit before their organs shut down and they die. Now: you and your friends are holed up in a run-down flat, surrounded by a protective ring of three-bar heaters, wishing for the snowstorm to end.

8 – Painkillers. They have a special relationship with pain, so anything that blocks it is anathema to them. People tried making protective circles of ground-up analgesics, but that only went so far; now, if you hunt them, it’s considered a good idea to get loaded up on codeine before you set off, which causes its own problems. Some people say that anti-anxiety drugs work too as they can feed off your fear (which makes them stronger), and they swear by 200mg of Pregabalin to start the day or wear protective charms made of Valium pills strung through dental floss.

9 – Fire. Back in the day, everyone had fire; we lit our houses with candles and lamps, and we burned wood to warm them. Now, the closest most of us come to an open flame during the average day is lighting a cigarette; so these creatures, clad in shadows and emerging from lightless corners, are having a field day. A lighter or match isn’t enough to keep them at bay, and you’re going to get some funny looks (and probably arrested) if you carry a burning torch around with you.

10 – Disease. They only eat clean things, so anything or anyone with a disease is disgusting to them. A minor cough or cold will put them off or slow them down (but not, say, stop them if their backs are to the wall) – late-stage leukemia will send them running in fear. If you hunt them, you’ve got a few choices: stay sick, so they’ll give you a wide berth; carry vials of disease around with you, which is a crime, and you’d have to break them open to use them; or bring an ill person with you, probably in a wheelchair, probably waiting in the van outside, to use as a tac-nuke if everything goes to shit.


Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Image by Alpha on Flickr

What happens when you die?

1 – The devil challenges you to a game of your choosing in exchange for a better position in Hell. You can’t “win,” per se, because the devil cheats, but you’re at least in with a chance of getting a role as a middle manager or informant on the other guys. One death mage invented an eternal game and challenged the devil to it, thinking that he was being clever enough to guarantee himself eternal life, but the devil just chucked him into a pit and told him to forget about it.

2 – You enter an infinite plane, a place of ethereal landscapes and half-remembered sunlight, and you must search for a way out to an afterlife. The longer you stay here, the less of your original memories and personality remain; some of the shades here are just smudges of shadow and noise that barely resemble a human. You hear tell of a route to heaven in the mountains; of Elysium beyond the great sea to the east; that Valhalla emerges from between the clouds in a storm; and that Avici dwells, vast and malicious, in the tunnels far below the earth.

3 – Whoever rules the place where you died gets your soul as an eternal servant. The power-players in the occult world have legions of invisible servants at their command, or so they claim; there are secret poltergeist wars fought for territory under the cover of storms, and possessed agents in high levels of government.

4 – You escape death – narrowly, at the least second. You count yourself as lucky and go on living your life. Except: it’s not your life. Everything you experience is a simulation, your own personal afterlife, modelled after the one you chose to live while you were breathing. (In reality, your friends are grieving your death.) Die in this one, and you’ll enter another simulation, a more suitable heaven; right up until you hit the age of 88. We don’t know what happens if you die after that.

5 – You haunt the person who killed you. But: most people aren’t directly killed by someone, so your soul takes a roundabout route to punish whoever it thinks is responsible. Someone who fell off a bridge might haunt the bridge’s architect; a suicide victim might haunt their ex-therapist; a smoker might haunt a cigarette manufacturer. The closer they are to actually being at fault, the more intense the haunting is; there are layers and layers of bureaucracy between a smoker and a tobacco lobbyist, for example, and this is largely to keep the hauntings to a manageable level.

6 – You instantly become a shade of your former self, and all you can do is watch the world without you in it. You get to watch your family move on and deal with your death, but you can’t do anything about it. You can’t see other shades, either; just you, forever, in a world that you are incapable of affecting and which increasingly doesn’t care about you. (But: you can be pulled out of this state, and the crushing thing is you know how, but you can’t tell anyone. At least, not with the tools you currently have available.)

7 – A death mage (one of the bad ones) finds your corpse, and before your soul can move on or manifest into a ghost or any of that good stuff, the bastard field-strips your animus out of you and jams it into a mason jar. Before you know it he’s sold off your spectral eyes to juice up a warding spell, he’s flogged your sense of purpose to a struggling med student and siphoned off all of your back-from-the-dead vengeance and stored it in a safe in case you get any ideas about coming after him.

8 – You awaken, and you are marching in an impossibly long line under smog-choked stars, and the stench of industry stings your nostrils. You are fuel; your deeds in life have determined how much heat you will produce when burned, and at the end of the vast line, there is the great furnace that powers the machines which keep the world spinning. You see, at the edges of the crowd, iron-masked enforcers; these are people who made so little impact in their lives that they are more useful as agents than fuel. You envy them.

9 – You enter a marketplace – it looks something like a cross between a Moroccan souk and an IKEA – and it contains portions of every available afterlife, ready for purchasing with the proceeds earned from the good deeds you performed while alive. Always wanted to hang out with Abrahamic angels, but didn’t want to faff about with the whole “heaven” deal? Why not buy a six-winged friend and go hang out in the Elysian Fields? You find someone offering “Return to Life Unharmed,” which is a pretty swish deal, but the kicker is you just can’t afford it. So you’ll have to find someone willing to lend you some credit, or steal it from the nicest person you can find.

10 – Your spirit possesses someone else in the party, nestling inside their head like a parasite. They gain access to all of your skills and knowledges, but if they ever made a critical success or critical failure, they hand their character sheet over to you (and their body over to your spirit), which means you can do things like eat and love and feel again. Should you make a critical failure or success, or fall asleep, control reverts back to the original player.

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Image by Krowten on Flickr

So: you broke up with a witch. How bad is this going to be?

1 – It’s fine, because they kept some of your hair, and made a copy of you that doesn’t complain or leave the cupboard doors in the kitchen open. So it’s fine. It’s all fine. It doesn’t want to hunt you down and eat you or anything; and even if it did, that wouldn’t make it more powerful, or more “complete.” So go to sleep.

2 – You figured it was amicable, but when you went for a piss this morning, there was blood in it. And, eventually, painfully: thorns. So: that’s a problem, and they’re not answering their phone when you ring them to try and figure out what’s happening.

3 – They turn up at your house the next day with no knowledge of what happened; turns out you broke up with one of the meat-puppet doubles they employ to get shit done, and they’ve got no knowledge of it. They (or… the meat-puppet, you suppose) seemed really upset, and stormed out of the cafe after the break-up, and they can’t contact it any more. They need your help getting it back.

4 – They trap you hexwise in the day of the break-up, forcing you to re-live it over and over again until you get it right. Unfortunately, you haven’t a goddamn clue what “right” is, because not breaking up doesn’t seem to fix it. You’re on loop thirteen now and you’re starting to come unhinged.

5 – They transform into a cat, sneak into your house, and kill your pets. At least: you think it was them.

6 – Everyone in town starts looking at you funny. Pretty soon, your friends stop responding to your messages; even your mum makes an excuse and hangs up on you. The next week, your face is in the papers: everyone seems to recognise you as someone who masturbates in public parks. And: you don’t, just to be clear. It just seems that everyone else believes you do.

7 – You didn’t break up with them; they broke up with you, and to soften the blow, they cast a spell over you to make you believe you triggered the split. It’s just kinder this way. Which makes you wonder: what other memories from your time together are false?

8 – It’s amicable; you both realise you need different things, that you’re different people, and you kiss one last time before saying goodbye and walking away. Except: you were never going out with them in the first place. The whole relationship was just a spell, a potion you drank several months ago – a hallucinatory whirlwind romance with the partner of your dreams, who also happens to be the witch who brewed the concoction – and now it’s worn off, you wake up with a crushing hangover and a heartbreak to match as reality sets in. Can you survive without another dose?

9 – They sigh, and nod, and transform you back into your original form: their raven familiar. Except unlike the previous transformations (you assume) you’ve retained your human intelligence and memories, and now things are kind of weird when they ask you to help out with spells or bring other lovers back to their lair.

10 – They’re furious, and summon a great curse upon you; the sky darkens, the winds howl, lightning and hail smash into the ground and rivers break their banks and overflow. People are in serious danger should this continue; do you really want to go through with it?

Header image by Allan Wan on Flickr

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

Who are they, and why are they coming after you?

Header image by Transformer18 on FLickr

1 – They claim to be angels; they’re all platinum blonde, regardless of skin tone, and they move in a way that suggests they’re actually six-winged flaming chariot-people stuffed into unconvincing human suits. They’re trying to pre-rapture you. They say you’ve been really good, and He wants to speak to you right away.

2 – They say that they’re your parents, which is weird because both of your parents died when you were a kid. They need… organs. A kidney, to be precise. Your mum in particular seems really upset about the situation, but not enough to not strap you down to the kitchen table and whip out your innards.

3 – They wear grey suits and all have the same haircut and say they’re from the government – when they speak at all, which is rare. They want to take the chip out of your head (they put it there) so they can download the information you uploaded to it and “back you up” in case you die like the previous versions of you did. In a way, they’re your guardian angels; in another way, there’s thirteen X’s tattooed on your left wrist, but you can only see it out of the corner of your eye.

4 – They’re demons. Normal folk can’t tell, but you can see that they’re sporting angular metal horns and leaving smouldering footprints in front of themselves when they walk, which is disconcerting. Anyway, they’ve got an award for you – you’ve brought so much pain and sadness into the world that the devil wanted to personally thank you for making his job easier. You’re no saint, but you didn’t think you’d been this bad; what’s going on?

5 – They’re a fey hunting party, loaded up on dodgy whizz they found in the bathrooms near the fountain of youth, and they’ve stolen taxis, bikes, trucks and One Actual Horse to chase you down. They want you because you’re beautiful, and you’re inventive, and you look good when you run away. So: try and be boring, and ugly, in your escape.

6 – The Machines have determined that you are the most average, basic, generic human available, and they have decided to study your fascinatingly dull life in minute detail.

7 – Everyone is after you; you’re a prophesied actor in several conspiracies, but no-one’s quite sure what you’re going to do or when you’re going to do it. So: people are watching your every move, and going through your bins, and strangling each other in back alleys for looking at you the wrong way.

8 – They’re all terribly sick, or they’re working for terribly sick people. They say that you have sacred blood, and it can heal them (or they have a more scientifically-sound explanation) – and, weirdly enough, they’re right. Your blood heals the sick and brings the dead to life, but only when it’s outside of your body, which is a problem.

9 – They’re the agents of a witch. She’s seen what you can do (or sees potential in you), and sends her minions after you with messages and trials. A magpie drops a note in your soup saying that three of the people in this cafe are hellbeasts, and you have to kill at least one of them before it gets cold. A blind woman stumbles into you in the street and tells you to leave your window open tonight unless you want it broken. Underpass graffiti shifts and warps into a Bayeux Tapestry-style depiction of your life, including parts of it you haven’t lived yet.

10 – They’re freelance ghost hunters, and they say you’re a ghost, and they need to put you to rest. As far as you’re aware, you’re living a pretty normal life, so you’d rather not be “put to rest.” (Except: are you a ghost? How would you know? And what do they stand to earn by telling you, if you aren’t?)

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

How did you get The Sight?

Header image by Teeejayy on Flickr

1 – Dad wasn’t around a lot when you were growing up, because dad was a kitchen god that mum summoned with some back-pocket voodoo and bodged-together mystic resonances she bought off some guy out of the back of his car. Sometimes, when you go back to visit her, she’ll compel dad to possess the body of a family friend, and the three of you have dinner together.

2 – There’s some elf in you. And not in a “grandma was tall and pretty and spent a lot of time in the woods” sort of way – you’re infected with elfdom. It’s a disease; you caught it off a particularly dazzling young man you got off with at a party a few years ago. You don’t know how many people you’ve infected since.

3 – You’re not entirely sure, but every time you see something strange, a black cat turns up about five seconds before everything kicks off. On one hand, it’s a great early warning system (and has saved your life on more than one occasion); on the other, you freak out pre-emptively every time you see a black cat.

4 – You only get it when you’re drunk; the mind control doesn’t work on you when your brain’s moving slower, so you can outwit them, except you have to be drunk, so. But this one time you did some cocaine at a party and saw an entirely different class of weirdness, so maybe different substances adjust your brain to the wavelengths of different supernaturals? The implications fascinate and terrify you.

5 – You know how you’re supposed to wait until the ghost says “GOOD-BYE” at the end of a oujia board session? Yeah, well, your stepdad came home early and you had to hide it before you finished, and now you’ve got a ghost stuck in your head. It can still only communicate using text, though, so you navigate the supernatural underworld by letting yourself get a bit possessed and tapping out instructions to yourself on your smartphone’s notes app.

6 – Clove cigarettes. There’s a reason goths smoke ‘em so much – they make hidden supernatural phenomena visible, a bit like the way regular cigarettes reveal laser traps. (Strong clove cigarettes do, anyway, which is why you hear so many folk talks of gruesome monsters coming out of Indonesia: they’re the world’s largest producer.) Unfortunately, it means you can’t hunt ghosts in public buildings, or outside if it’s windy. And you’ve heard they banned them in the US, too; presumably some sort of government conspiracy to keep the undead and fey under wraps.

7 – You crashed your truck into a mirror warehouse. It was late, and yeah, you’d been drinking, but the deer came out of nowhere – it was bad luck, ironically. Anyway, you shattered three hundred and twenty-seven mirrors in a handful of seconds, and now you can see ghosts, vampires, the fey, through governmental dazzler shields, and so on. It’s done nothing but get you into trouble, which you guess is karmic punishment for all the mirrors.

8 – You opened your eyes during prayers at Sunday School, even though you’re not supposed to, and God was there. He looked like… well, it’s hard to say. He looked like a thousand exploding lightning chariots, and He leant down and kissed you on the forehead (you still have the scar), and He cleared your vision of the clouds that keep humanity ignorant. You never opened your eyes during prayers ever again.

9 – A gutter-wizard on the run from a fey hunting party hid in your dreams one night five years ago, and he refuses to leave. While he takes up residence he appears in every dream (even the sexy ones) and, as a side-effect, allows you to view the world as it really is. He never tidies up after himself, and your dreamscape is an absolute tip.

10 – Six months ago, you woke up to see your doppelganger standing over you holding a pillow getting ready to smother you in your sleep; but was slower than you, and you really didn’t want to die, and you kicked the shit out of it in your bathroom. It was identical to you in every way aside from the way it bled printer ink. You didn’t know what to do. You tied it up and shoved it in your attic; it refuses to die, even though you haven’t fed it, and you can’t bring yourself to kill it. Every day it looks less and less real. Its skin turns to newsprint, its teeth and hair turn brittle and glassy and fall out.

And then: you touched the filaments that surrounded it like pine needles, and a handful of them burrowed inside you, and the thing laughed, and now, when they think you aren’t looking, the buildings get up and walk around and you can smell the stench of a ratkin carrion-feeder two streets away.

Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.

What’s this guy selling out the back of his car?

old car

Header image by Charlie on Flickr.

Roll 3D20 to determine what he’s got in stock today.

1 – Rosaries. They’re made out of bone and he assures you that they’re all “used,” whatever that means.

2 – Cats. He sells them by weight, using a pair of antique scales he’s set up on the pavement.

3 – Faberge Eggs. They look real. He claims to have located “the Faberge goose.”

4 – Handguns. These ones have fresh serial numbers on, painstakingly etched in with surprising skill, which point to recent (or upcoming) murders.

5 – Pot plants. He says they’re all tremendously venomous, and when you tell him that there’s a difference between “poisonous” and “venomous,” he rubs at a bandage on his wrist and tells you he understands the difference all too well.

6 – Blood bags. He does part-exchange, too, and pays a top dollar for unusual blood types.

7 – Fingerprints. They’re made out of hot wax, look like someone else’s fingertips, and last about twenty-four hours before they wrinkle up and drop off like scabs.

8 – Comedowns. He siphons off hangovers and comedowns, distills them into pills, and sells them to the sort of weirdos who want to skip the high and go straight to the torment.

9 – Condoms. He says they’re made of enchanted sheep guts, guaranteed to help you sire a child of strong limb and keen mind. (So: they don’t work.)

10 – Pages from books. He displays a random collection of pages from weird and esoteric books, some of which you’re pretty sure don’t exist, but he doesn’t seem to have the actual books themselves. You’ll need to keep coming back to buy them in installments, it seems.

11 – Meat. Good stuff, too! Completely above board – you’d expect it to be dog or human or something, but this is top-drawer primo horse meat.

12 – Eggs. Not guaranteed to be from chickens, but “most of them are.”

13 – Thorns. He says you can fashion them into crowns or armour that will keep you safe from fey magic; he’s wearing a full set, and bleeding quite a lot.

14 – Bottled spirits. By which we mean, of course: ghosts, condensed down into glass vessels. Take a drink, and normal folk get a brief hit of the ghost’s most important memory; those with the Sight get transported back to when it all happened.

15 – Injectable madnesses. Fancy trying out depression for the evening? Want to experience schizophrenia, but be able to go back to your normal life at the end of the weekend? Bored of a single identity, and want to dissociate into some others? He’s got your back.

16 – Music. Not sheet music or CDs, though. You give him the money, and then the tune follows you around like a faithful hound, appearing in adverts on TV and being hummed absent-mindedly by passers-by. He also sells removals.

17 – Happy families. Fully-functional, paint-by-numbers families that will move into your home and do… family stuff. The families are unaware that they were purchased out the back of a car, and it’s recommended that you don’t tell them.

18 – Moody jewellery. He maintains that all of it has been stolen from graves, or at the very least, that someone died wearing it. He has an excellent selection of widow’s wedding rings, some with the fingers still in.

19 – X-ray specs. And all other kinds of 1950’s/60’s spy gear and practical jokes from the back of a magazine, except it all works as advertised. (And it gives you tumours, too. But, hey – x-ray specs!)

20 – Experience points. He claims to have access to knowledge of “the great game” which you’re all in, and offers ways to increase your skills by making scratches on a piece of paper with your name on. Sounds daft, but it seems to work.


Glimmers is a series where Chris and Grant, the creative leads behind Rowan, Rook & Decard, create an urban horror world through the use of Dx tables. Because who has time to read a full setting book?

[GLIMMERS.] The city is alive. The city is connected, with streams of light and noise and people, to every other city; they are all the same being, all branches of the same concrete-and-glass tree. There are streets between them, forgotten streets, with secret names and grim inhabitants. (And: there are wild-lands, dark places, the Spaces Between, where nothing seems right. Airport waiting rooms. Churches, at night. Backwater villages.)

There is vast power in the thrum of machines and the buzz of traffic, and it can be yours, for a price.